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Sandro Botticelli The Adoration of the Magi oil painting reproduction

Sandro Botticelli
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 129

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der Galleria von 1475 degliUffizi, Florenz
1475 Galleria degli Uffizi, Florence

Filippino Lippi The Adoration of the Magi oil painting reproduction

Filippino Lippi
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 2551

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der Galleria von 1496 degli Uffizi, Florenz
1496 Galleria degli Uffizi, Florence

Peter Paul Rubens The Adoration of the Magi oil painting reproduction

Peter Paul Rubens
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 3641

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1617-18 Musee des Beaux Künste, Lyons
1617-18 Musee des Beaux Arts, Lyons

RICCI, Sebastiano The Adoration of the Magi oil painting reproduction

RICCI, Sebastiano
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 8922

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1726-30 Öle auf Leinwand, 330.2 X 289.6 cm Königlicher Sammlung,
1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection,

Maino, Juan Bautista del The Adoration of the Magi oil painting reproduction

Maino, Juan Bautista del
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 19250

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Öl auf Leinwand Museo del Prado, Madrid.
Oil on canvas Museo del Prado, Madrid.

Parentino, Bernardo The Adoration of the Magi oil painting reproduction

Parentino, Bernardo
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 19760

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Täfelt Musee du Louvre, Paris.
Panel Musee du Louvre, Paris.

unknow artist The Adoration of the magi oil painting reproduction

unknow artist
Die Verehrung des magi
The Adoration of the magi
Gemälde IDENTIFIZIERUNG:: 27366

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mk56 Öl auf Leinwand venezianischer Schule zirka 1600
mk56 oil on canvas Venetian School,circa 1600

Maino, Juan Bautista del
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 28113

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mk61 Öl auf Leinwand315x174cm
mk61 Oil on canvas 315x174cm

BERRUGUETE, Pedro The Adoration of the Magi oil painting reproduction

BERRUGUETE, Pedro
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 28527

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mk61 Gouache auf twilled Leinwand 350x206cm
mk61 Gouache on twilled canvas 350x206cm

Hans Memling The Adoration of the Magi oil painting reproduction

Hans Memling
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 28696

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mk61 Öl auf täfelt 95x145cm
mk61 Oil on panel 95x145cm

BOSCH, Hieronymus The Adoration of the Magi oil painting reproduction

BOSCH, Hieronymus
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 28697

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das Öl von mk61 C. 1510 auf täfelt 138x33cm
mk61 c.1510 Oil on panel 138x33cm

Domenico Ghirlandaio The Adoration of the Magi oil painting reproduction

Domenico Ghirlandaio
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 28872

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mk65 Öl auf Unterausschuss 67 11/16in
mk65 Oil on panel 67 11/16in

Gentile da Fabriano The Adoration of the Magi oil painting reproduction

Gentile da Fabriano
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 28909

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mk65 Tempera aufUnterausschuss 68 1/8x86 5/8in Uffizi
mk65 Tempera on panel, 68 1/8x86 5/8in Uffizi,

Lorenzo Monaco The Adoration of the Magi oil painting reproduction

Lorenzo Monaco
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 29722

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mk67 Tempera aufUnterausschuss 45 5/16x66 15/16in Uffizi Galerie
mk67 Tempera on panel 45 5/16x66 15/16in Uffizi,Gallery

Filippino Lippi
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 29763

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mk67 Tempera auf Unterausschuss 101 9/16x 95 11/16in Uffizi Galerie
mk67 Tempera on panel 101 9/16x95 11/16in Uffizi,Gallery

Gerard David The Adoration of the Magi oil painting reproduction

Gerard David
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 29823

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mk67 Tempera auf Unterausschuss 37 3/8x31 1/2in Uffizi Galerie
mk67 Tempera on panel 37 3/8x31 1/2in Uffizi,Gallery

Pontormo The Adoration of the Magi oil painting reproduction

Pontormo
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 29851

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mk67 Öl auf Unterausschuss 33 7/16x74 13/16in Pitti Palatine Galerie
mk67 Oil on panel 33 7/16x74 13/16in Pitti,Palatine Gallery

Albrecht Durer The Adoration of the Magi oil painting reproduction

Albrecht Durer
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 29924

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mk67 Öl auf täfelt 39x44 1/16in Uffizi Galerie
mk67 Oil on panel 39x44 1/16in Uffizi,Gallery

BASTIANI, Lazzaro The Adoration of the magi oil painting reproduction

BASTIANI, Lazzaro
Die Verehrung des magi
The Adoration of the magi
Gemälde IDENTIFIZIERUNG:: 31721

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Hat mk76 wahrscheinlich zwischen 1470 und der Tempera von1480 auf Unterausschuss 20 1/2x11in. Angestrichen
mk76 Painted probably between 1470 and 1480 Tempera on panel 20 1/2x11in

Fra Angelico The Adoration of the Magi oil painting reproduction

Fra Angelico
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 32108

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der Tempera von mk78 C. 1435 auf täfelt 39x56cm Florenz Museo di SanktMarco
mk78 c.1435 Tempera on panel 39x56cm Florence, Museo di San Marco

Fra Filippo Lippi The Adoration of the Magi oil painting reproduction

Fra Filippo Lippi
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 32145

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mk78 Washington Nationale Galerie der Kunst
mk78 Washington,National Gallery of Art

DOMENICO VENEZIANO The Adoration of the Magi oil painting reproduction

DOMENICO VENEZIANO
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 32146

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mk78 c.1439-40 Tempera auf Unterausschuss Durchmesser 84 cm Berlin Hat Staatliche Preussischer Kulturbesitz Nachgesonnen. Gemaldegalerie
mk78 c.1439-40 Tempera on panel, diameter 84 cm,Berlin, Staatliche Museen Preussischer Kulturbesitz. Gemaldegalerie

MASSYS, Quentin The Adoration of the Magi oil painting reproduction

MASSYS, Quentin
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 32395

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der Tempera von 1526 und Öl auf Holz
1526 Tempera and oil on wood

REMBRANDT Harmenszoon van Rijn The Adoration of The Magi oil painting reproduction

REMBRANDT Harmenszoon van Rijn
Die VerehrungDes Magi
The Adoration of The Magi
Gemälde IDENTIFIZIERUNG:: 34595

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mk93 Öl auf Papier hat zu Leinwand 45x39cm geklebt
mk93 Oil on paper glued to canvas 45x39cm

Bernardo Cavallino The adoration of the Magi oil painting reproduction

Bernardo Cavallino
Die Verehrung des Magi
The adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 39622

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die Leinwand 101.5x127cm von mk150 C.1640
mk150 c.1640 Canvas 101.5x127cm

VERONESE (Paolo Caliari) The Adoration of the Magi oil painting reproduction

VERONESE (Paolo Caliari)
Die Verehrung desMagi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 40398

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der Öl oncanvas 206x2445 von mk156 1571
mk156 1571 Oil oncanvas 206x2445

Albrecht Durer
Die Verehrung des magi
The Adoration of the magi
Gemälde IDENTIFIZIERUNG:: 42459

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mk168 Öl auf Tanne Holz 75.5x170cm Basel
mk168 Oil on fir wood 75.5x170cm Basel

Albrecht Durer
Die Verehrung des Magi
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 42469

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mk168 100x114cm Öl auf coniferouswood
mk168 100x114cm Oil on coniferouswood

Jacopo Bassano The Adoration of the Magi oil painting reproduction

Jacopo Bassano
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 69647

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oil on jasper painting by Jacopo Bassano

REMBRANDT Harmenszoon van Rijn
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 50253

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mk210 1619 Cnavs 134x160cm

LEONARDO da Vinci The Adoration of the Magi oil painting reproduction

LEONARDO da Vinci
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 58584

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The Adoration of the Magi, (1481)??Uffizi.

Luis Tristan The Adoration of the Magi oil painting reproduction

Luis Tristan
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 62318

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232 x 115 cm Museum of Fine Arts, Budapest Around 1600 the dominant influence in Toledo was that of El Greco. The link with the master was strongest in the distinguished painter Luis Trist?n, who stressed the Tenebrist aspects of some of El Greco's work. Trist?n's development was interrupted by his premature death, but not before he had completed work of such merit as the altarpiece in Yepes (1616) and that of Santa Clara de Toledo which was finished in 1623. The Adoration of the Magi probably formed part of an altarpiece in the Jeronymite Convent of the Queen in Toledo, together with an Adoration of the Shepherds (now in Cambridge), Pentecost (now in Bucharest) and Resurrection (lost). It has the same composition as the Yepes altarpiece, however, the faces of the figures are different

RICCI, Sebastiano
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 63048

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1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection, Windsor The artist's bold and colourful treatment of the theme (Saint Matthew 2:9-11) is a link in Venetian painting between Paolo Veronese and Giovanni Battista Tiepolo. The composition is derived in its essentials from the altarpiece painted by Veronese in 1573 for the church of San Silvestro, Venice (now in the National Gallery, London) and anticipates the altarpiece painted by Tiepolo in 1753 for the monastery of Schwarzach in Franconia (now in the Alte Pinakothek, Munich). All three works are large, but the composition by Tiepolo differs from the others, which are almost square in format, by being compressed into a vertical. The Adoration of the Magi was acquired by George III in 1762 from Consul Joseph Smith and formed part of a series of seven pictures of New Testament subjects. The related paintings are Christ and the Woman who Believed, Christ and the Woman of Samaria, The Magdalen anointing Christ's Feet (all still in the Royal Collection), The Pool of Bethesda and The Woman taken in Adultery (Ministry of Works, presently at Osterley House) and The Sermon on the Mount, which is lost. All these paintings, with the exception of the present work, illustrate scenes from Christ's ministry. The origin of the commission for this series of paintings is unknown. The size of the undertaking (the dimensions in each case are extremely large and there are fundamental changes in format) has caused the series to be associated with an unrecorded commission for the Royal House of Savoy in Turin, for whom Ricci worked during the 1720s. The painting demonstrates Sebastiano Ricc's role in the evolution of Rococo art in Venice, which reached its climax in the work of Tiepolo. The setting of The Adoration of the Magi is dramatic, the brushwork full of verve and panache and the colours bright. Several changes in the composition can be seen with the naked eye, especially in the centre. The artist travelled extensively in Italy and also worked in England from 1711/12 to 1716, returning home via France. He formed a partnership with his nephew, Marco (1676-1730), who, according to Gherardi, painted the architectural background to The Adoration of the Magi and the related pictures. Artist: RICCI, Sebastiano Painting Title: The Adoration of the Magi , 1701-1750 Painting Style: Italian , , religious

RAFFAELLO Sanzio The Adoration of the Magi oil painting reproduction

RAFFAELLO Sanzio
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 63815

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1502-03 Oil on canvas, 27 x 150 cm Pinacoteca, Vatican Extant drawings demonstrate the tremendous amount of thought which Raphael put into the realization of the Oddi Altarpiece and some details, notably the highly individual faces of the Apostles and the serene landscape in the background, are quite masterful. But the most meaningful passages are found in the predella scenes: the vast space which opens out beneath the colonnades of the Annunciation; the highly animated Adoration of the Magi; and the free quality of the atmosphere in the Presentation in the Temple, which foreshadows the extraordinary spatial intuition of some of the artist's future Vatican compositions.Artist:RAFFAELLO Sanzio Title: The Adoration of the Magi (Oddi altar) Painted in 1501-1550 , Italian - - painting : religious

unknow artist
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 63959

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1380-90 Tempera on wood, 50 X 31 cm Museo Nazionale del Bargello, Florence The left-hand panel of this diptych depicts the adoration of the Infant Jesus by the Magi; the right-hand panel represents the Crucifixion. This is another of the pictures whose origin has been the subject of considerable speculation among scholars, for the international uniformity which is the hallmark of the International Gothic style has led to the picture being ascribed to Avignon, Paris, Franco-Flemish, Austrian and Bohemian artists. Perhaps the closest analogy can be found in the works of the Master of Trebon (the folds of the Virgin's mantle, undulating in a similar manner, or the insubstantial birds on the roof of the Bethlehem stable). On the other hand, these details could be coincidental, or derived from a common source; until the coat of arms on the ornate bed can be positively identified these questions will remain open to speculation. Seated on her canopied bed, the Virgin receives the homage of the Magi, who are taking off their crowns. In the upper left corner we can see the Magi and their horses assembling from different directions. In the bottom right corner Joseph is sitting; when the guests arrived he was warming his feet at a brazier. Now, like the Magi, he, too, takes off his headgear with a humble gesture. (If we want to find the prototype of the figure, we could see it in the representations of the month of February in calendars of books of hours: the figure of an elderly man warming himself at the fire was the personification of February.) The picture is a strange mixture of marked condensation and of anecdotal details. The story is circumstantially told by merely putting the most important characters and decor side by side. The wealth of small objects set beside one another gradually overlap and cover the whole surface of the picture. The Virgin's canopied bed is a throne too, while its top has a double role and is also the roof of the Bethlehem building crowded with dovecotes. The space left empty by the structure of the bed-throne is filled up by a bastion. Space, as a substance, is not conveyed; the motifs are linked with one another in the way the words of a sentence are. The star, for example, is given emphasis by the small spot of nocturnal darkness surrounding it and separating it from the golden background. , Artist: UNKNOWN MASTER, French , The Adoration of the Magi (Bargello Diptych) , 1351-1400 , French , painting , religious

unknow artist
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 63962

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44 x 30 cm Musee Bonnat, Bayonne , Artist: UNKNOWN MASTER, French , The Adoration of the Magi , 1451-1500 , French , painting , religious

unknow artist
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 63966

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1420 Tempera on pine, 100 x 81 cm Hessisches Landesmuseum, Darmstadt The picture is the right-side wing of a triptych (the Ortenberg Altarpiece), the central panel of which represents the Virgin and other members of her family, whilst on the left-hand wing the Nativity is depicted. The relatively large-size work, which used to decorate the high altar of the parish church of Ortenberg, was painted by a master of the Middle Rhineland, who was influenced by the Frech and Italian art of the period. The scene takes place in front of a golden background, in a narrow space, in surroundings which look like stage sets. The Virgin is seated on a red bed on the left in the tiny hut-small in proportion to the size of the figures-in Bethlehem and, holding the naked Infant on her lap. She receives the homage of the Magi who are arriving from the right. Strangely enough, the shed is attached to the dark rocks, whereas on the right it is directly adjacent to a tower in the town. With a na'ive ingenuity the painter represented the hut as if seen from above, while the tower is depicted from a point of view below it. Thus he was able to give the impression that the latter was higher. Without using this solution he would have been obliged to cut the tower into two and could not have shown the characteristic ridge of its roof. Or else, he should not have allowed the hut to reach the frame-and in this case what would have filled up the top left corner of the picture? Evidently it was important for him to fill up the whole surface of the picture. That is why he painted the jug above the bent back of Joseph, who is squatting in the left corner, and this is the purpose, among others, of the little red table and the bread-basket which is hung on the rocky wall. It is with infinite humility and devotion that the two kneeling Magi kiss the hand and the foot of Jesus. As an expression of their veneration they also take off their crown. The one nearer to the spectator puts it on the large table, a round object rather similar to the haloes, as if he were solemnly placing a gift on an altar. This symbolic meaning of the table is perhaps stressed by the bread-basket hung on the wall above the head of Jesus and which refers to the Eucharist. The frame, like a setting of some precious stone or noble metal, encloses the picture and contributes to its markedly sublime and solemn mood. Indeed, the painting is full of representation of fine examples of the goldsmith s art, e.g. the crowns, the gold sword and the huge, heavy haloes which resemble golden dishes, and what is more, the technique of the painting itself has affinities with the work executed by goldsmiths of the period. The silver underpaint of the garments lends a metallic sheen to the translucent, enamel-like top layer of yellowish paint. , Artist: UNKNOWN MASTER, German , The Adoration of the Magi , 1401-1450 , German , painting , religious

RUBENS, Pieter Pauwel The Adoration of the Magi oil painting reproduction

RUBENS, Pieter Pauwel
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 64195

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1624 Oil on panel Koninklijk Museum voor Schone Kunsten, Antwerp , Artist: RUBENS, Pieter Pauwel , The Adoration of the Magi (detail) , 1601-1650 , Flemish , painting , religious

unknow artist
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 65022

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1505 Oak, 57,2 x 50,7 cm Wallraf-Richartz Museum, Cologne In contrast to most of the large-scale and ceremonious images of the Magi in Cologne this small-format picture depicts an intimate and familiar scene. Idealism is combined with realistic observation. The artist of the panel is referred to as the Master of St Severin. , UNKNOWN MASTER, German , The Adoration of the Magi , 1501-1550 , German , painting , religious

Master of the Prelate Mur The Adoration of the Magi oil painting reproduction

Master of the Prelate Mur
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 80767

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Date 15th century Medium Oil on panel Dimensions 124.5 x 112.5 cm (49 x 44.3 in) cjr

Pieter Aertsen The adoration of the Magi oil painting reproduction

Pieter Aertsen
The adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 81110

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Date ca. 1560(1560) Medium Oil on panel Dimensions 167.5 x 180 cm (65.9 x 70.9 in) cjr

Hieronymus Bosch The Adoration of the Magi oil painting reproduction

Hieronymus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 84104

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Date ca. 1510(1510) Medium Oil on wood Dimensions Height: 138 cm (54.3 in). Width: 72 cm (28.3 in). cjr

BRAMANTINO The Adoration of the Magi oil painting reproduction

BRAMANTINO
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 84579

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Date ca. 1498(1498) Medium Oil on wood Dimensions Height: 56.8 cm (22.4 in). Width: 55 cm (21.7 in). cjr

Hieronymus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 84661

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Date ca. 1510(1510) Medium Oil on wood cjr

Master of the Prelate Mur
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 84954

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15th century Medium Oil on panel Dimensions 124.5 x 112.5 cm (49 x 44.3 in) cyf

Jan de Bray The Adoration of the Magi oil painting reproduction

Jan de Bray
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 85186

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Date 1658(1658) Medium Oil on oak panel Dimensions Height: 71 cm (28 in). Width: 55 cm (21.7 in). cjr

Joos van cleve The Adoration of the Magi oil painting reproduction

Joos van cleve
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 85189

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Date between 1526(1526) and 1528(1528) Medium Oil on oak panel Dimensions Height: 251 cm (98.8 in). Width: 185 cm (72.8 in). cjr

Master of Hoogstraeten The Adoration of the Magi oil painting reproduction

Master of Hoogstraeten
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 86108

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Date first half of 16th century Medium Oil on oak panel cjr

Albrecht Durer
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 86879

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Date 1504(1504) Medium Oil on wood Dimensions Height: 100 cm (39.4 in). Width: 114 cm (44.9 in). cjr

Hans Memling
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 86912

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Date c. 1470(1470) Medium Oil on wood Dimensions Height: 96.4 cm (38 in). Width: 147 cm (57.9 in). cjr

Follower of Jacopo da Ponte The Adoration of the Magi oil painting reproduction

Follower of Jacopo da Ponte
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 86922

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Date between 1580(1580) and 1585(1585) Medium Oil on slate Dimensions Height: 35 cm (13.8 in). Width: 27 cm (10.6 in). cjr

Dieric Bouts The Adoration of the Magi oil painting reproduction

Dieric Bouts
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 87591

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Date c. 1445(1445) Medium Oil on wood Dimensions Height: 80 cm (31.5 in). Width: 56 cm (22 in). cjr

BRAMANTINO
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 88442

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1498(1498) Medium Oil on wood cyf

Hieronymus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 89056

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c. 1510(1510) Medium oil on wood Dimensions Width: 33.6 cm (13.2 in). (of detail) cjr

Gerard David
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 89148

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1500(1500) Medium oil on oak cyf

Jan de Bray
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 89496

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1658(1658) Medium Oil on oak panel cyf

Joos van cleve
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 89499

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between 1526(1526) and 1528(1528) Medium oil on oak panel cyf

Quentin Matsys The Adoration of the Magi oil painting reproduction

Quentin Matsys
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 89746

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1526(1526) Medium tempera and oil on wood cyf

Master of Ab Monogram The Adoration of the Magi oil painting reproduction

Master of Ab Monogram
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 89788

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1530(1530) Medium oil on linden cyf

Pieter Brueghel the Younger The Adoration of the Magi oil painting reproduction

Pieter Brueghel the Younger
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 90130

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between 1590(1590) and 1638(1638) Medium oil on panel Dimensions 41 x 57 cm (16.1 x 22.4 in) cjr

Vasco Fernandes The Adoration of the Magi oil painting reproduction

Vasco Fernandes
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 90334

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between 1501(1501) and 1506(1506) Medium oil on panel Dimensions Height: 132 cm (52 in). Width: 79 cm (31.1 in). cyf

DOMENICO VENEZIANO
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 90801

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1439(1439) Medium oil on poplar cyf

Master of Hoogstraeten
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 91029

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first half of 16th century Medium oil on oak panel Dimensions Height: 83.4 cm (32.8 in). Width: 73.1 cm (28.8 in). cyf

Hieronymus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 91542

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1510(1510) Medium oil on panel cyf

Follower of Jacopo da Ponte
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 91653

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between 1580(1580) and 1585(1585) Medium oil on slate cyf

Hans Memling
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 91657

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1470(1470) Medium oil on panel Dimensions Height: 96.4 cm (38 in). Width: 147 cm (57.9 in). cyf

Jheronimus Bosch The Adoration of the Magi oil painting reproduction

Jheronimus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 91923

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c. 1554(1554) Medium oil on panel Dimensions 127.8 X 72.5 cm (50.3 X 28.5 in) cjr

Hieronymus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 93196

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between 1468(1468) and 1560(1560) Medium oil, tempera and gold on panel Dimensions 71.1 X 56.5 cm (28 X 22.2 in) cjr

Master of the Prelate Mur
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 96333

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15th century Medium oil on panel Dimensions 124.5 X 112.5 cm cyf

MASTER of the Polling Panels The Adoration of the Magi oil painting reproduction

MASTER of the Polling Panels
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 96862

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15th century Medium oil on panel Dimensions 124.5 X 112.5 cm cyf

Quentin Matsys
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 97749

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1526(1526) Medium tempera and oil on wood cyf

Master of Hoogstraeten
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 97868

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first half of 16th century Medium oil on oak panel cyf

Jacopo Bassano
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 97972

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between 1580(1580) and 1585(1585) Medium oil on slate cyf

Hieronymus Bosch
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 98297

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circa 1510(1510) Medium oil on panel cyf

Gaspare Diziani The Adoration of the Magi oil painting reproduction

Gaspare Diziani
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 98433

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1718(1718) Medium oil on canvas Dimensions Height: 94 cm (37 in). Width: 110 cm (43.3 in).

Gaspare Diziani
The Adoration of the Magi
Gemälde IDENTIFIZIERUNG:: 98435

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1705 - 1760 Medium oil on canvas Dimensions 30.5 x 40 cm (12 x 15.7 in)

Gaspare Diziani
(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).
The Adoration of the Magi
1705 - 1760 Medium oil on canvas Dimensions 30.5 x 40 cm (12 x 15.7 in)

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